Improving a 'Finished' Painting
Last January, I started working on a painting of Clover using shojo illustrations as my inspiration. I studied and referenced several CLAMP paintings while working on it. After about a month of working on and off, I decided it was finished. I'm not sure what my thought process was in deciding I was done with it. I had finished the line work, the second pass of rendering, the background... Perhaps I was sick of looking at it and wanted to move onto something else. Either way, this is what it looked like in February when it was 'done.'

It's pretty, and I like it. But even at the time, I knew it could be better. I knew that I my painting skill could go beyond the 'finished' state, but I stopped pushing myself. I'm not sure why.
Several months, a couple paintings, and hundreds of sketches later, I started thinking about the techniques of the Renaissance master painters. I don't remember what lead to this train of thought, but it was a key point of discovery in my journey as an artist. The father of the Renaissance, Leonardo da Vinci, would work on his paintings over a number of years. There are several reasons for this such as the time consuming nature of sfumato, his work aside from painting, and da Vinci was a perfectionist. I notice in my own work that I dislike the idea of returning to a painting after starting something new. I have gigbytes of abandoned files with hours of work spent on them that I simply leave to digitally rot in my computer. When working on a piece, I push myself to 'finish' because I know, consciously or not, that if I move onto something else, the painting will never be done. After casually reading about da Vinci's work, I remembered that painting in January I was done with, though not quite satisfied with.
I opened the file again and examined my work with fresh eyes. Of course, with distance, it's much easier to see areas of improvement objectively. My first 'finished' version of that painting is pretty, but it lacks contrast. It needs better lighting to show the viewer where they need to look. The clouds are aimlessly placed, lacking direction and composition. The lace trim I hastily placed last-minute cheapen the painting, and it's easily the weakest point. It's just distracting. This isn't self flagellation – it's honest self critique of a painting that I was proud of. Everyone has room for improvement.
Sometime in October, I started fiddling around with the painting again, and about a month ago, I 'finished' it again.
Much better.
I'm pleased with my improvements. If I were to go back and change anything, I would blur the edges of her wings and the back layer of her hair to allow for more depth. I could also probably push the contrast a bit more.
Overall, I'm happy to have identified this habit I have in my art, and I'm think I'm a better artist by challenging it. Plus, it's fun to take my work to the next level, even if the changes are subtle. ♥
Hello, everyone! I'm FINALLY blogging again... so crazy. I've wanted to change my blogging system for some time now, and I've experimented with a few different things. Previously I used
As a webmistress that dedicates so much of my site to gaming, it's only apt that I use Doom as a metaphor for how my life is falling apart at the seams. Which is, of course, dramatic, but I've been gone for a long time fighting demons — guts, and all. That's about as theatrical as it gets. The voyeurs of my life want blood, dammit!
Keep in mind that my new job is not particularly strenuous — it’s just an office job. Still, it’s hard to behave myself for that long lol. Masking is tiring, and it does take a bit of effort to keep quiet and stim in public appropriate ways. Plus, the bright lights in the office have been giving me headaches.
